When we spec brackets and stands for rental screens and projectors, we look for three things: stability, predictable setup, and parts we can source quickly when a job changes late in the day. Unicol tends to meet those criteria, which is why it regularly appears in our kits—but it’s not the only option, and it isn’t perfect for every room or brief.
For general conference and exhibition work, the VS1000 “Scimitar” base is a practical pick. The footprint is broad enough for larger displays, the twin-column approach keeps wobble down, and cable routing is straightforward, so stages and foyers stay tidy. The trolley variant moves easily across typical venue floors, which helps when layouts shift between sessions. Modularity is another plus: columns, mounts (including universal/VESA options), and add-ons like shelves can be swapped or reused across jobs, which keeps our inventory more flexible.
There are caveats. Weight limits and column heights still need checking against each screen’s spec and audience sightlines. And while the finish is durable, any stand used for frequent load-ins benefits from regular inspection—fasteners, wheels, and cable covers included.
In practice, we choose Unicol when we need consistent hardware that crews know well, spares are easy to carry, and the venue surfaces need protecting. For minimalist stages, ultra-low footprints, or unusual viewing angles, we’ll consider alternatives (e.g., wall or truss solutions) and explain the trade-offs: stability vs floor space, mobility vs maximum height, and so on. The goal is simply a safe, tidy install that does what it should and disappears behind the content.
If you’re unsure which stand or bracket suits your event—screen size, height, audience distance, and access routes are the key variables—we’re happy to recommend a build and explain why.